As of recent, our class read the “to be or not to be”
speech, and followed it up by watching the scene in different versions of the
movie like we did with the ghost scene. Our task was to analyze these scenes to
see how the director puts them together and show what I think about the scenes.
Beginning
with the Oliver version of the scene, I found it a little more emotional than
the other versions. The scene takes place on a cloudy night, on a cliff
overlooking the ocean, and this really shows how easy it would be for Hamlet to
just end his life. All he would need to do is jump, and this adds to the
meaning of the soliloquy. The ocean is also rumbling down below him,
symbolizing Hamlet’s struggle and inner thoughts. The only background sounds
that can be heard are the ocean and the wind as Hamlet delivers his lines. This
adds a dramatic effect to the scene as well as making the tone of the scene a
little darker. Another thing that I would like to point out is how close Hamlet
came to stabbing himself. Combined with the already dark tone the scene
creates, this version is very well made and holds true to the original play.
The second version, or the Zeffirelli version,
is my favorite of the four. The scene takes place in the catacombs of the
castle, which adds to Hamlet’s speech. The entire room is shrouded in darkness,
except for the one lit-up coffin in the center of the room, which is
presumably, Hamlet’s father. The light symbolizes how death might be the best
choice for Hamlet and will give him the least struggle. This leaves a difficult
and meaningful choice that is deeper than what is shown in the other versions.
There is also no sound or music track while Hamlet is delivering his lines,
most likely to emphasize the meaning of his speech and make it resonate within
the viewer, more that what the other versions seemed to do.
The
Branaugh version of the scene is the most creative in my opinion. Hamlet is in
his room while giving the speech, but he is speaking to himself through his
image in a mirror. Make makes it ever more interesting is the fact that the
king is spying on him through the same mirror, which deepens the entire play.
The scene is very emotional due to the fact that Hamlet is speaking directly to
himself, making his thought process seem much deeper. The camera slowly zooms
into the mirror where the color is only gray and bland, except for Hamlet’s
image. This could symbolize Hamlet’s struggle against the world. There is also
a slow music track in the background noises to give the scene a dark
atmosphere.
The last version we watched was the Almereyda
version, and this was the version I liked the least. I found it to be a little
bland in comparison to the other three versions. Hamlet in this version seems
to be walking as in a trance, through a Blockbuster video store. It just feels
a little over the top for me. It might be because the modern day interpretation
of the film is out of place with the scene. There were also a few hidden
details in the scene just like with the ghost scene, but these were more hidden
and might slip past a few viewers. Compared to the others, this version was
lacking and lost my interest.
Overall, I must agree with your thoughts on the four different versions of the scene. I especially loved the fact of how in the first version, he pulls out his knife, aims the tip directly toward his heart, and slowly closes his eyes. I also loved the subtlety of the hidden messages in each of the scenes. The waves in the first used to represent his, "sea of troubles" was perfect. I also have to agree that the final version was the worst of the four. His acting was stale and it wasn't really convincing or relatable to Hamlet as portrayed by the other versions.
ReplyDeleteI definitely agree with you on the fact that the Zeffirelli version is the best version. It gives more of an emotional appeal to the viewers than the other versions. Although the Olivier version seemed bland as first, it did seem to have a lot of symbolism. Imagine if there was a remastered version of the Olivier version. I think it would hold a lot more potential and could fit a lot more hidden messages in than the others!
ReplyDeleteIn regards to your views on the Oliver scene of to be or not to be, I do agree but also disagree with you. I definitely can affirm that out of every to be or not to be, this was the most powerful one of all. However, I don't really believe that the ocean below him would ever serve the purpose as his means of suicide. I feel as though it more represents his inner turmoil rather than a means to his end.
ReplyDeleteFor the the second version which takes place in the catacombs, I must agree that Hamlet's speech, bereft of a sound track truly does add an emphisis to his overall speech. It allows for him to far better convey his feelings than many of the the other soliloquy's... however I feel like he tends to overreact, his emotions sometimes lacking true depth and sincerity.
In the third version I as well feel that there is a great amount of creativity and color in his speech. He has a flare which makes it fun and interesting to listen on into simply put.
LASTLY, (and I do apologize for writing so much <3) I HAVE TO MOST DEFINITELY AGREE WITH YOU THE MOST ON THIS ONE. If this interpretation were to truly be a "modern day' version, would it not make sense for the language used to be a little more up to date? I'm not necessarily stating that the lines be butchered from the original but IT SHOULD AT LEAST BE MORE COMMON TO US!
Many excellent points Devtorくん
God Speed and さようなら